Archive for the 'Orthodox Christian' Category

Christian Orthodox wedding ceremony

Christian Orthodox wedding ceremony is quite different from the Catholic one. First of all, it may be Greek, Russian, Ukrainian or Lebanese. They all have very much in common with some differences as well.

Prior to filming in the church find out, whether you are allowed in the front of the altar, so you could see bride’s and groom’s faces or you have to stay behind the marrying couple. There are usually some restrictions different from church to church and from the priest to another priest, so be prepared. Discuss the range of your movement with the priest.

The altar itself in Orthodox Church is a sanctuary decorated with icons and lights with an ornamented door in the center. Nobody but the priest is allowed inside. You may be allowed to position yourself just outside of that door on the groom’s or the bride’s side, so you could see both the priest and the couple.

The couple does not speak too much during the ceremony. In Russian Church the priest usually asks if the bride and the groom have been baptized as Orthodox Christians, and after they confirm that, the questioning goes on. In the rest of Orthodox Churches that first question may be skipped and the priest proceeds to the next part, asking if the bride and the groom come on their own will and if they have not committed (or promised) to someone else. This questioning may happen at the door, as soon the couple enters the church, or in front of the altar prior to the ceremony. After the priest is satisfied with the answers, the ceremony commences, and the couple keeps silence until it’s over.

You need to shoot the priest blessing the rings and placing them on bride’s and groom’s fourth finger of the right hand. It may as well be the best man who places the rings on groom’s and bride’s hands, or they may help each other. The ring usually goes half way through and stays like that until the end of the ceremony.

Another key moment is crowning. The priest blesses two crowns, asks the bride and the groom to kiss crowns and passes crowns on to the best man or to the best man and the maid of honour (witnesses, friends, “druzhki” might be the other names of those participants). The crowns are being held above marrying couple’s heads and then later may be placed on their heads as the ceremony goes along. Then the couple is being offered red wine similar to Catholic tradition. The priest holds the cup in his hands and lets the couple to finish the wine in few takes.

The culmination of the crowning is a processional walk around the altar table. The priest goes first being followed by the bride and the groom, and then by the best man and the maid of honour. The ceremony includes three circles around the table and is considered to be a wedding culmination, so keep rolling on all three rounds.

At the end the priest, while standing in the altar door, invites the couple to come closer and talks to them in plain language wishing them well and welcoming them to keep coming to the church.

During the ceremony the priest would be going into the altar and back outside, reading from the bible and singing. You should ask the couple prior to the ceremony if they want you to shoot everything he says. If this is the case, just continue rolling all the time, especially if you don’t understand the language. If the couple lets you use your own discretion, do some beauty shots between shooting key moments: candles, icons, parents, children in the audience, reaction shots from the bridal party, wide shot from the back of the church, etc.

After the ceremony is over the couple leaves the church in very much the same way they would be leaving the Catholic church.

Shooting the newlyweds leaving after the wedding ceremony

After everybody is done greeting the newly married couple and wishing them well, after the group photo is taken, the couple will leave for the photo shoot, for the reception, for the honeymoon, or just to take some rest and enjoy each other.

This moment is important as a closure for the ceremony segment of your video. If the couple is leaving in the limo, the chauffeur may offer them Champagne. Shoot the bottle, the cork being crack open, wine being poured into nice glasses, new husband and wife cheering up and giving each other a kiss. You may need to direct them as well.

Get a shot of the couple getting into the car. Shoot from the door side so you could see their faces rather than their backs. You might as well ask the driver to roll down the window just for that shot. If it is not too awkward to get inside of the limo without tearing wedding dress apart, try that. Get the shot of the happy couple and their friends inside the limo. Most people don’t ride limos very often, so it will be appropriate to show the significance of the moment.

Let the driver know that you are going to get a shot of the limo leaving the spot. If the limo has that “Just married” sign on the rear, you may start on the close up of that sign. Start zooming out after the car goes.

You may start on the front of the car, low angle. Let the limo drive by to discover the church and the crowd waving good bye to the couple.

What to shoot after everybody has left the church?

Along with taking a big group photo on the front steps of the church or the hall or other place which accommodated the wedding ceremony, there is a lot of interaction happening right before, after and during taking the photo. And that is exactly what you want to capture - the interaction.

It may be the best man shaking groom’s hand, grandmother giving the bride a kiss, parents on both sides greeting each other in their new status. You won’t be able to catch everything, the couple will be very likely drawn apart by the guests, and that’s OK since you don’t need to shoot everything anyway.

Key moments to look for:

  • newlyweds looking at their brand new rings after leaving the church;
  • bridal party members greeting newly married couple;
  • parents on both sides (very important);
  • close family with the babies;
  • grandparents.

You may choose to shoot it wide, coming close to the action, shooting from your hands raised up when necessary. You may shoot it tight (zoomed in) from the steps down. Or mix a bit of both. Start from establishing the scene: show the couple’s faces first. Then you may shoot from behind, paying more attention to the guests’ faces. Combine wide shots with close ones.

Videotaping during a group photo shoot after the wedding ceremony

Usually, if weather permits, the newly married couple has their photo taken with all the guests. Depending on the photographer it may be a small festival on its own, or a well organized event. For the first case see Guests Greetings, for the second, play along with the photographer.

While the photographer is putting the people in place, shoot the action: smiling faces, handshakes, babies, interacting family members, etc. You can walk along the front row with your camera rolling after everyone is in place. Approach the couple and ask them about their feelings after the ceremony.

It may as well be good time to take the wireless microphone away.

Step back so you can see all the guests in your wide shot, zoom in on couple. When more or less everybody is paying attention to the photographer, start rolling and slowly zoom out to complete the segment on wide shot.

You may need to adjust your plan if there is something special like releasing doves, tossing rose petals, blowing bubbles, etc., being planned. It’s good to be informed about such an event in advance.

Filming the newlyweds leaving the church

First of all, take the spot in the central aisle facing the altar. You will be going backwards, so make your intentions clear to the photographer. It will be better for you to stay on the right hand side of the photographer. So then you will be able to see the photographer on your left and to coordinate your movements along with his or hers.

The segment starts from the announcement and congratulations from the priest. Frame on three: the priest and the newly married couple. You may want to start rolling a bit earlier, especially if you are planning to edit the video. Keep it on three through the whole announcement. Hold it like that while the guests start giving the couple a standing ovation.

After few seconds of applause the Wedding March begins to play giving you a signal to start slowly backing up toward the exit. If the couple does not follow you, slow down, keep rolling and recon them to follow you. Keep it wide all the time and control framing by adjusting the distance between you and the couple.

Keep going backwards to the end of the aisle, or almost to the end, and then make a side step to your right or left into the empty row or behind the back row. You may want to check your options in advance. Hold the same angle, let the couple leave the frame and keep on rolling on the bridal party and the close family following the married couple. You can pan up on the altar in order to make a transition to your next shot.

Shooting the signing ceremony

The newly married couple proceeds to sign a register right after exchange of the rings. Take your spot in front of the signing table, most likely next to the photographer. Make sure there is no bouquet or other obstacles between the camera and the register book.

The bride signs the register first. You may start from the shot including bride signing the book, groom standing by his bride and the priest or the minister on the opposite side.

It is sufficient to videotape one signature for each person.

To avoid jump cut, use transitions. For example: using three shot for the bride signing the book as an opening shot of the segment, stop rolling after the bride completes first signature. Frame on groom’s face and start rolling when he starts taking a seat to sign a register. Let him put his first signature, then stop your camera, zoom out wide to see the bride, the groom, the priest, the best man and the maid of honor, all five people around the table. Start rolling after the best man goes to the table to sign the register, and so on.

Filming the bride walking down the aisle

Appearance of the bride is another key moment of the wedding day coverage. As soon as you are done with the shot of the bridesmaids walking down the aisle and taking their spots, get yourself prepared to the appearance of the bride. Although you won’t have much time for that. If you are allowed to move, position yourself in front of the altar, besides and slightly behind the groom in such way that you could get an access to every moment of the following sequence without stopping to roll.

Frame on the bride and dad and roll continuously zooming out slowly. Possible obstacles are: the photographer walking backwards in front of the bride and taking pictures, and the guests stepping in the aisle in front of you and trying to compete with the photographer. You should talk to photographer in advance and let him or her know where you are going to stay and ask for cooperation. The guests are different story, you can’t avoid them blocking the bride, but they are a natural part of the ceremony, so don’t worry too much about the guests in your shot.

You may want to show groom’s reaction. For that purpose you could zoom out and pan off the bride and show groom’s profile or ¾ reverse shot, depending on your position. One thing I know for sure is that many brides want to have this shot in the video, so try your best.

Pan back to the bride, she must be closer at that moment. Or you might stop your camera instead right after the groom’s reaction shot, reframe on bride and start rolling again. At some point the bride and her father would stop and let the groom approach them. The dad would take the veil off his daughter’s face and pass her on to the groom. You may want to follow the groom and come a little closer. Stay on three, and after they are done with all the kisses and handshakes, move carefully backwards to let the bride and the groom to proceed to the altar to meet the priest.

Keep rolling continuously and move backwards very carefully. You don’t want to hurt anybody in the bridal party or the ceremony officiant.

Shooting the bridesmaids walking down the aisle

This is one of the key shots of the ceremony. You don’t want to miss it. Sometimes the timeframe of the ceremony is too tight and the bridesmaids do their walk down the aisle at the very same time when the bride is arriving to the front entrance. If you are using one camera, you may miss that shot. Talk to the couple and check with them, what is the scenario and what they would like to see on the final video.

Position yourself either in the front end of the aisle next to the groom in a way allowing the bridesmaids to take their spots in front of the altar. You may have to position yourself on the balcony above the altar. It will depend on the rules set by the church or the priest performing the ceremony.

Don’t miss the flower girl and the ring boy carrying rings on the beautiful pillow. If they are part of the ceremony, they will be there, in the head of the procession. If you are shooting from the top of the altar, and you are positioned aside from the center, you may not be able to see the children. They will be blocked by standing guests. But you could still get a shot of them appearing in front of the altar. If you see them clearly, frame your shot and roll, slowly zooming out in order to keep the framing. Follow your camera until the children have taken their spots.

If you have managed to get a shot of the flower girl and the ring boy, filming the bridesmaids is a piece of cake. Frame on the first girl, roll and follow the camera until she is on the front. Stop camera, frame it on the next girl, roll and follow, and so on. If the aisle is too long, start filming from the moment when the first girl is half way through the aisle. Otherwise the first shot may be unproportionally long.

The girls may follow each other very closely. In this case you should roll on the first girl while letting the next girl walk into the shot. Do the same with each bridesmaid. When the last girl is in your shot, follow her until she stops in front of the altar and you have all the bridesmaids in your shot. Stop here, get ready for appearance of the bride.

Shooting arrival of the bride

The most typical form of arrival is pulling over in a limousine or some fancy car to the front entrance of the church. Make sure in advance that this is the case. Variations might be as follows: she might arrive in the horse-drawn carriage (on the balloon, on foot, by bus) to the side (back) door, on the parking lot or to stop by the gate 300 feet away from the entrance, you name it.

First, get a nice shot of the vehicle slowing down and pulling over to where it is supposed to stop. You can come down to that point and shoot it low angle, or stay on the top of the front steps and shoot from there. After the car (a horse, etc.) has stopped, get close, and position yourself by the door, one from the bride is supposed to appear. Let photographer get still photos with the bride, her dad and a limo. You might film that as well.

Next moment is very important. Place yourself strategically where you are able to get a clear shot of the bride and her dad starting and finishing their walk all the way from the limo to the church entrance.

Don’t compete with the photographer, make friends. If the photographer takes one side of the door, take another one. You don’t want him or her to stick between you and the bride.

When the bride and her dad have come to the door and you have a feeling that there may be some hustle there, tilt up to the top of the building to complete the shot. Make sure it looks great and proceed into the church. The clock is ticking.

Arrival of the guests

Arrival of the guests to the ceremony is not an essential part of the wedding video unless the couple insists on a very detailed coverage. Arrival shots slow the video unless you keep them short and vivid.

You might get few shots of the most important people, like grandparents or members of the bridal party. Don’t forget, you have to be well prepared to work during the ceremony. Filming the guests may take away some time needed for setting inside, so be careful. And in any case keep it short.

Another option is to videotape some early arrived guests inside the church. You may probably film the groom, groom’s family and ushers being busy taking guests to their sits and doing their last minute preparations.

But don’t miss arrival of the bride. She is the most important character in your video. Don’t ever forget that.